全球限量艺术品重磅首发｜马丁·马吉拉「亚洲首展」即将登陆木木美术馆！
马丁·马吉拉在木木美术馆
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马丁·马吉拉在木木美术馆
2022年8月18日
木木美术馆（钱粮胡同馆）
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马丁·马吉拉亚洲首展即将登陆木木美术馆
以迷宫概念重构空间，内藏五十余件作品
木木美术馆非常荣幸地邀请到艺术家、前国际知名服装设计师马丁·马吉拉，在其亚洲首次个展中，通过一系列全新委托创作的装置、雕塑、行为表演、拼贴、绘画和影像作品，以迷宫为概念重构美术馆空间。
《头发肖像》局部
2015-2022年
拼贴画，旧杂志，钢，塑料
图片来自图册《Martin Margiela at Lafayette Anticipations》，2021，©️ Pierre Antoine，图片由艺术家和Zeno X 画廊（安特卫普）惠允
本次展览将由木木美术馆与曾在2021年主办马丁·马吉拉全球首次个展的巴黎老佛爷基金会美术馆联合呈现，由木木美术馆艺术总监兼首席策展人王宗孚和老佛爷基金会美术馆馆长黎贝卡·拉马什维德尔共同策划。该展览包含50余件作品，拓展了巴黎老佛爷基金会美术馆展出的原有主题，通过互动行为表演激活《躯干》（2020-2022）、《制图学》（2019-2022）等雕塑和装置，并将于美术馆外立面展示新版本的特定场域作品《纪念碑》（2021-2022）。
《马丁·马吉拉》展览现场，巴黎老佛爷基金会美术馆，巴黎，2021
图片由艺术家和Zeno X（安特卫普）画廊惠允
© Pierre Antoine
《马丁·马吉拉》展览现场，巴黎老佛爷基金会美术馆，巴黎，2021
图片由艺术家和Zeno X（安特卫普）画廊惠允
© Pierre Antoine
本次展览基于马丁·马吉拉与策展人长达一年多的密切交流，聚焦艺术家自20世纪80年代以来通过实验性T台秀以及对纺织品、布料的长期研究，以及对艺术、材料与身体、时间、性别、观众参与之间持续对话的探索。这一艺术与时尚的对话早在1988年马吉拉在巴黎Café de la Gare的首秀中便已初显，藉此对性别和权力的表征发起质疑。那场时装秀融入了超现实主义的元素，并呈现了一幅平铺于地面上的大型绘画。这幅绘画由参与走秀的模特共同创作完成——他们的鞋底被涂抹上红色颜料，并在画布上留下行走的痕迹。此外，马吉拉的艺术实践以多种不同的方式超越了时尚领域的传统和惯例，从（马吉拉将其描述为）“一个令人窒息的系统”转向探索美术馆这一充满可能性的新空间，在此语境下，美术馆可被看作专为启发提问、发现另类思考方式和发展长期艺术介入所搭建的平台。
《公交站》制作花絮
图片来自图册《Martin Margiela at Lafayette Anticipations》，2021，©️ Pierre Antoine，图片由艺术家和Zeno X 画廊（安特卫普）惠允
在美术馆展厅内，马吉拉将构建一个独特的空间，带领观众体验一个别样的世界：原先的美术馆出、入口被相互调换，进而改变整个展览动线。他将改造之前的木木美术馆（钱粮胡同馆）建筑——隆福寺职工食堂的形象作为大型装置《纪念碑》（2021-2022）的主要图像元素。这一覆盖于美术馆外立面的图像为理解北京持续的城市发展与保护提供了另一种视角。展览还将带来一系列体现艺术家实践多样性的艺术创作，其中包括将电影胶片中难以察觉的尘埃置于观者视线之下的《胶片尘埃》（2021），以及灵感源自曼·雷的《伊斯多尔·杜卡斯之谜》（1920）的作品《防尘罩》（2021）。在当前这个大众曝光和超可见性的时代，本次展览将揭示隐匿和含混性在马吉拉创作中的重要意义，关注艺术如何成为提出诘问的场所，以及私人与公共想法和观点的交流、采纳在何处得以实现。
《马丁·马吉拉》展览现场，巴黎老佛爷基金会美术馆，巴黎，2021
图片由艺术家和Zeno X（安特卫普）画廊惠允
© Pierre Antoine
《马丁·马吉拉》展览现场，巴黎老佛爷基金会美术馆，巴黎，2021
图片由艺术家和Zeno X（安特卫普）画廊惠允
© Pierre Antoine
《马丁·马吉拉》展览现场，巴黎老佛爷基金会美术馆，巴黎，2021
图片由艺术家和Zeno X（安特卫普）画廊惠允
© Pierre Antoine
本展览还将和知名平面设计师兼书籍制作人伊玛·布姆（Irma Boom）合作设计发行展览同期出版物。此外，木木商店还将推出由马丁·马吉拉设计的限量版展览衍生品。
木木美术馆入选第十六届中法文化之春艺术节项目。
马丁·马吉拉，Maison Martin Margiela创始人，于1957年出生于比利时鲁汶，父亲是波兰人，母亲是比利时人。他在巴黎与比利时之间往返生活与工作。
青少年时期，他在比利时哈瑟尔特的圣卢卡斯艺术院 (Sint-Lukas Kunsthumaniora art school)学习了三年，之后在1977年进入了安特卫普皇家艺术学院的时装系。
毕业后，马吉拉曾作为自由职业者在意大利和比利时工作，之后移居巴黎并在1984至1987年间担任让·保罗·高提耶（Jean-Paul Gaultier）的第一助手。其个人品牌Maison Martin Margiela同样在1988年创立于巴黎，其风格独特前卫，与传统样式相去甚远。
马吉拉是首位在创作中引入回收再利用材料的设计师，他用军袜、破损的陶土器、跳蚤市场的服装和塑料包装等物品进行创作。马吉拉的时装会出现磨损的元素，他的时尚观念经常超越服装的边界，甚至他时装秀的选址也同样非常规化：废弃的地铁站、SNCF(法国国家铁路)的仓库、和一块现在已成为传奇的闲置废场地。
早期，马吉拉通过在Thaddaeus Ropac画廊（巴黎）、布鲁塞尔艺术中心（布鲁塞尔）、博伊曼斯·范伯宁恩博物馆（鹿特丹）、慕尼黑艺术之家（慕尼黑）、洛杉矶艺术博物馆（洛杉矶）和萨默塞特宫（伦敦）等机构举办的展览，与艺术界形成联系。
1997年，在继续为自己的个人品牌工作的同时，他出人意料地被任命为爱马仕女装成衣的创意总监。他在那里工作了12个季度直到2003年。最终在2008年，他决定于 Maison Martin Margiela 的20周年大秀之后退出时尚界。
自此以后，他专注于视觉艺术，应巴黎老佛爷集团的基金会(Lafayette Anticipations Fondation)之邀，他的首场个展于2021年10月至1月22日举办。
《对口型》制作花絮
图片来自图册《Martin Margiela at Lafayette Anticipations》，2021，©️ Pierre Antoine，图片由艺术家和Zeno X 画廊（安特卫普）惠允
关于M WOODS木木美术馆
木木美术馆是中国最大且最具知名度的当代美术馆之一。其位于北京的两个空间全年呈现展览、表演、现场活动和谈话讲座等不同公教项目。木木美术馆798馆，由一座旧时的军用工厂建筑改建而成，而新近落成的木木美术馆钱粮胡同馆，位于北京文化历史底蕴深厚的东城区内的木木艺术社区之中。木木美术馆每年吸引逾50万观众，并获得了中国国家文物局官方授予的博物馆资质，使得美术馆有资格展示并收藏最具重量级的中国文物及当代艺术品。
重磅！"马丁·马吉拉"限量收藏品
Martin Margiela 签名特别艺术作品《Deodorant》
唯一指定授权——木木美术馆
限量50件
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由马丁·马吉拉亲自设计，委托欧洲著名陶瓷作坊Nymphenburg联合制作的展览特别艺术品。全球共100件，木木独家授权发售50件。将马丁·马吉拉对日用品和艺术的思考通过马塞尔·杜尚(Marcel Duchamp)的现成物艺术表达。
材质：回收外壳，素瓷
规格：12 x 6.5cm
附赠艺术家签名编号证书
发货日期：8月20日
购买渠道：木木美术馆小程序
Martin Margiela at M WOODS
18 August 2022 - 4 December 2022
M WOODS Hutong, Beijing
Curated at M WOODS by Victor Wang, Artistic Director and Chief Curator, M WOODS, and Rebecca Lamarche-Vadel, Director Lafayette Anticipations.
Presented in collaboration with Lafayette Anticipations, Fondation d’entreprise Galeries Lafayette, Paris.
For his first solo exhibition in Asia, M WOODS invites artist and internationally renowned former fashion designer Martin Margiela to reimagine the museum as a labyrinth with a series of new installations, sculptures, performances, collages, paintings and moving image.
Martin Margiela at M WOODS is presented in collaboration with Lafayette Anticipations, Fondation d’entreprise Galeries Lafayette, Paris, where Margiela had his first solo exhibition in 2021, and curated by Victor Wang, M WOODS Artistic Director and Chief Curator, with Rebecca Lamarche-Vadel, Lafayette Anticipations Director. The exhibition comprises of over 50 new artworks and installations, expanding on the original themes presented at Lafayette Anticipations, with performances activating specific art works such as TORSO and CARTOGRAPHY, and a new version of the site-specific installation MONUMENT displayed on the facade of the museum.
Developed in close conversation with Martin Margiela and the curators, the exhibition focuses on the continuous dialogue that Martin Margiela has been exploring around art, material and the body, time, gender, and audience participation since the 1980s, largely orchestrated through his experimental runway shows and through the exploration of textile and fabric. This connectivity between art and fashion as a vehicle to question representations of gender and power, for example, was already present in 1988, during his first debut show at Café de la Gare, Paris, which incorporated themes of Surrealism and included a large floor painting that was actively created by the models as they walked overtop the canvas with red paint on the soles of their shoes. Moreover, the exhibition expands on the various ways in which Martin Margiela’s artistic practice moves beyond the conventions of fashion, a “system”, Margiela explains, [that] became suffocating”, towards a new space of possibilities within the museum: that is uniquely situated for asking questions, posing alternative thinking, and long-term artistic interventions.
At M WOODS, Margiela constructs a series of unique spaces that allows the viewer to experience the exhibition as an alternative world: the traditional entrance and exit of the museum will be reversed, thus altering the successive progression of the galleries. Margiela has also incorporated an image of the original Longfu Si building before it was converted into M WOODS Hutong as the main image for his large-scale installation MONUMENT (2021). This architectural wrapping of the museum’s façade offers an alternative lens to understand the layering of urban development and conservation occurring continually in Beijing. Art works such as FILM DUST (2021), that makes visible the often-invisible specs of dust found on film stills, and the work “Dust Cover” (2021), that makes reference to Man Ray’s ‘Enigme d’Isidore Ducass’ (1920), will also be displayed and highlight the diversity of Margiela’s practice. In an age of mass exposure and hyper visibility, the exhibition teases out the importance of invisibility and ambiguity in Margiela’s work and practice, placing emphases on the ways in which art becomes a space to ask questions, to feel surprised, and where the personal and the public exchange and adopt ideas and perspectives.
A special exhibition catalogue, designed by influential graphic designer and book maker, Irma Boom, will accompany the exhibition. Further, limited edition museum shop items, designed by Martin Margiela, will also be available.
M WOODS is selected as a 16th Croisements Festival participant.
Martin Margiela
Martin Margiela, founder of Maison Martin Margiela, was born in 1957 in Leuven, Belgium, to a Polish father and a Belgian mother. He lives and works between Paris and Belgium.As a teenager, he attended the Sint-Lukas Kunsthumaniora art school in Hasselt, Belgium, for three years, then entered the fashion department of the Royal Academy of Fine Arts in Antwerp in 1977.
After graduating, he worked as a freelancer in Italy and Belgium before moving to Paris, where he became Jean-Paul Gaultier’s first assistant from 1984 to 1987. Maison Martin Margiela was founded in 1988 in the same city with a unique and avant-garde style, far from traditional references.
Martin Margiela was the first designer to introduce recycling in his creations, using army socks, broken crockery, flea market clothing, and plastic packaging, among other things. His outfits show signs of wear and tear and his fashion often goes beyond the boundaries of clothing. The locations chosen for his fashion shows are equally unconventional: an abandoned metro station, an SNCF warehouse, and a vacant lot that has become legendary.
Early on, Margiela forged links with the art world through exhibitions at the Thaddaeus Ropac gallery (Paris) and institutions such as BOZAR (Brussels), Museum Boijmans Van Beuningen (Rotterdam), Haus der Kunst (Munich), LACMA (Los Angeles), and Somerset House (London). In 1997, while continuing to work for his own label, he was a surprise appointment as creative director for women’s ready-to- wear for Hermès. He worked there for twelve seasons until 2003. In 2008, he decided to leave fashion just after the twentieth anniversary show of Maison Marti Margiela.
Since then, he has devoted himself exclusively to the visual arts. His first solo exhibition, at the invitation of the Lafayette Anticipations Foundation in Paris, took place from October 2021 to January 22.
About M WOODS
M WOODS MUSEUMS is one of China’s largest and most prominent contemporary art museums. M WOODS presents a year-round programme of exhibitions, performances, live events and talks across two museum sites in Beijing. M WOODS 798, is housed in a former munitions factory in Beijing’s 798 Art District, and the newly inaugurated M WOODS Hutong, is situated in the M WOODS Art Community located in the city’s historical Dongcheng District. Attracting over five hundred thousand visitors each year, M WOODS was formally granted official heritage museum qualifications by The National Bureau of Cultural Heritage in China (博物馆资质), allowing the museum to present and host the most important Chinese cultural artefacts and relics alongside contemporary art.
您也可以通过以下渠道关注木木美术馆：
微博：M_WOODS木木美术馆
小红书：MWOODS木木美术馆
微信服务号：MWOODS木木美术馆
微信订阅号：MWOODS Channel木木频道
官网：https://www.mwoods.org